Friedemann Findeisen – Geek-Free Music Production

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Friedemann Findeisen – Geek-Free Music Production

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Your Instructor

Friedemann Findeisen

Friedemann Findeisen is a music profiler, songwriter/producer and teacher.

After spending some time at International Music College Freiburg, Friedemann realized that he had made a mistake studying jazz guitar. For two years he had spent every day trying to improve his playing technique – with no success. Rehearsing scales was not his thing. Instead, under the radar of his teachers, Friedemann wrote songs.

When he barely made his final guitar exam and his composition teacher (and creative director of the school) Bernhard G. Hoffmann heard his songs and told him “There is nothing more I can teach you”, Friedemann quit the program and moved to the Netherlands. Here, he studied MediaMusic and his songwriting exploded.

In the following four years, Friedemann played in front of over a 100,000 people with his band, conducted his music in front of a live orchestra, was featured on prime time television, won two composition awards, had his music going to Cannes Film Festival and worked for some of the biggest names in the industry. He has received recommendations from songwriters Erwin Steijlen (Pink, Shakira) and René Merkelbach (Within Temptation), orchestrator Conrad Pope (The Hobbit, Harry Potter) and composer Jeff Rona (Traffic, God Of War III).

At 28, he now has written a best-selling book, has over 100,000 subscribers on YouTube and does music profiling for some of the biggest producers in the country.

Course Curriculum

Part I: Introduction

00 – Trailer (2:36)

01 – Introduction (1:16)

Part II: Buying Gear

02 – Buying Stuff (2:11)

03 – What You Will Need (3:33)

Nerd Facts: Dynamic vs Condenser Mics

Nerd Facts: Open vs. Closed Headphones

04 – What You Want (6:11)

05 – What You Wish For (3:15)

PDF Download: Cheap, good equipment

PDF Download: Wishlist for the future

06 – What You Don’t Need (2:16)

NEW Review: Splice (A Subscription Model for Samples?)

Part III: Getting ed with Logic Pro X

07 – Installing (2:35)

PDF Download: Shortcuts

08 – The AMP System (8:44)

09 – The Arrangement Window (23:46)

10 – Audio Editor, Apple Loops, Inspector, Library (17:21)

11 – The AMP System Revisited (5:07)

12 – EXERCISE Your First Production (9:43)

How much do you remember?

Part IV: Tools & Working With Audio

13 – Marquee Tool (5:46)

14 – Tools, Fades, etc. (7:34)

15 – Crossfades Revisited (4:25)

16 – The Tool Menu (1:56)

17 – EXERCISE Editing & Looping (3:20)

18 – EXERCISE Editing II (1:32)

Note

Download Exercise Editing & Looping

How much do you remember?

Part V: Midi

19 – The Piano Roll (Movement) (1:15)

20 – Piano Roll Features (12:41)

21 – Sustain Pedal (5:04)

22 – Piano Roll Tools (2:04)

How much do you remember?

Part VI: Further Steps

23 – Setting Up A Template (25:44)

24 – EXERCISE Dear Alibi (3:45)

DOWNLOAD “Dear Alibi” Logic Session OR if you don’t have Logic:

DOWNLOAD “Dear Alibi” Audio Files

NEW: The 5 Mixing Mindsets (10:50)

Part VII: Understanding Sound & The EQ

25 – Why Music Sounds The Way It Does (17:42)

26 – The Overtone Series on Guitar (12:08)

27 – 6 Frequency Bands You Need To Know (14:41)

28 – EQ Parameters explained (21:53)

29 – Corrective EQ (25:09)

30 – Creative EQ (18:17)

31 – EQ Summary + Notes (10:47)

How much do you remember?

Part VIII: Compression & Routing

31 – Compressor Overview (7:24)

32 – Treshold, Ratio, Gain, Compression Pros & Cons (12:00)

33 – Attack & Release (15:06)

34 – Compressing a Kick (7:25)

35 – Compressing Bass (6:24)

36 – Compressing Vocals (22:11)

37 – EQ & Compression on Drums (30:01)

38 – Signal Flow, Aux Tracks & Busses (30:05)

39 – Taking the Bus (13:38)

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Part IX: Flexing, Mixing & Reverb

Get Friedemann Findeisen – Geek-Free Music Production download

Flexing Vocals (20:02)

Flexing & Mixing a Track (36:01)

Automation (15:55)

Automating Sends (5:51)

Mapping (8:07)

Picking A Reverb Type (2:48)

Setting The Reverb (6:17)

7 Mixing Formulas (27:26)

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Readmore: http://archive.is/sIWbO

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